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Russ Meyer, born instarted making short films as a teenager. Later he took a lot of pin-up photos for Playboy and other magazines, working with hundreds of nudie models and even movie stars in Los Angeles in the s. Later he made hyperactive, violent, very sexually provocative films independently, financing them himself.
Director Russ Meyer was defined by the female form, building a successful and profitable career on his personal breast fetish. Whilst Satana has the classic stinging one-liners, Williams has lines that are dripping in innuendo and lust as she tries her best to seduce The Vegetable and even got royally drunk whilst filming the dinner scene. Those drunken slurs are real folks!
He was Spokeswoman Janice Cowart said Meyer had suffered from dementia and died of complications of pneumonia. Something of a one-man studio, Meyer produced, directed, financed, wrote, edited and shot 23 tantalizing but teasing films that pioneered a genre of skinflicks with much violence and large-busted women but little sex.
Russ Meyer, "King of Sexploitation", with 26 films under his belt, was one of only a few in movie-making history to write, direct, produce, film, finance, edit, act and distribute his own films. He even carried his own equipment on location. His best-known film is the cult classic Faster Pussycat!
Russell Albion Meyer March 21, — September 18, was an American film director, producer, screenwriter, cinematographerfilm editoractor, and photographer. Meyer is known primarily for writing and directing a series of successful sexploitation films that featured campy humor, sly satire and large-breasted women, such as Faster, Pussycat! When he was 14 years old, his mother pawned her wedding ring in order to buy him an 8mm film camera.
Whatever one calls the films - sexploitation the female nude is shown purely for sexual or commercial reasonssoftcore no erections or ejaculationskitsch bad tastecamp "its essence being its love of the unnatural: of artifice and exaggeration", in Susan Sontag's definition - there is one word that could sum them up: breasts. Meyer's "nudie-cutie" films gained him a cult following in the s, widened when he made a rare excursion into big-budget cinema with Beyond The Valley Of The Dollswhich was described by Alexander Walker as "a film whose total idiotic, monstrous badness raises it to the pitch of near-irresistible entertainment". Russell Albion Meyer was born in Oakland, California, the son of a police officer and a nurse. With money borrowed from his mother, he bought an 8mm Univex "picture-taking machine" when he was 12 and began making amateur films.